Atoms

The NonCommercial (NC) restriction prohibits fundraising, advertising, and product promotion — even for non-profits

The Oberheim DMX used sampled sounds rather than analog synthesis, giving electro an alternative drum palette to the TR-808

The optimal swing percentage varies with tempo and pattern, so it must be dialed in by ear

The perceived tone of any track is shaped by its context—changing neighboring tracks changes how it sounds

The perfect cadence (V-I) is the strongest harmonic resolution, created by the leading tone rising to the tonic

The primary structural unit of filter house is a two-to-four-bar disco or funk sample loop repeated for the full track duration

The Pro One's onboard sequencer, triggered by the TR-808's accent output, created electro's patterned basslines without MIDI

The Pythagorean scale is built from stacked perfect fifths (3:2) but cannot close back to the octave exactly

The RAVE VST loads a .ts model in any DAW as an audio effect that re-timbres incoming audio

The recommended path into SuperCollider + synthesis is: SC environment tutorial → synthesis cookbook → custom projects

The recording studio can be played as an instrument, so tape editing composes music that no performance produced

The rewind (pull-up) replays a track's drop on demand, functioning as real-time crowd validation in soundsystem culture

The RGB Panel Wizard creates a fixture group for a pixel-mapped LED strip panel with configurable orientation

The RIAA equalization curve boosts highs and cuts lows during vinyl cutting, with the inverse applied on playback

The right chop mode depends on the material: transient for drums, beats for even loops, regions for unbarred audio, manual for uneven cuts

The right fix for a drifting beatmatch depends on how severe the drift is

The Roland JP-8000 supersaw became trance's signature dense detuned-saw texture

The Roland TB-303 appeared in electro as a melodic sequenced line before its later acid-house role

The rq (reciprocal-Q) parameter of a resonant filter controls the sharpness of the resonance peak at the cutoff

The run function generates sequential integer patterns for automatically stepping through sample indices or pitch values

The SC Pattern library includes Pser, Pxrand, Pshuf, Pslide, Pseries, Pgeom, and Pn for diverse sequence generation

The scoop bass bin is a classic Jamaican sound-system low-bass cabinet, carried into DnB rigs

The SDF gradient estimated by finite differences gives the surface normal needed for lighting

The SDF of a line segment is the distance from a point to the nearest point on the clamped segment

The seed mapping uses bass for brightness, high-mid for rotation speed, and low-mid for warp depth — three of four bands are assigned, highs are unused

The Sequential Circuits Prophet-5 polyphonic synthesizer was the go-to keyboard for 'icy synth strings' in early electro

The shift from dubplate to CD for trying out tracks in clubs traded sonic quality for speed, changing the development culture

The sine function produces smooth repeating variance usable as a custom noise alternative

The six CC licenses are combinations of three binary axes: commercial use, derivatives, and share-alike

The smooth minimum (smin) blends two SDFs with a controllable rounded join instead of a sharp union

The Song API lets you start/stop playback, set tempo, and jump to cue points using OSC messages

The spectral centroid is the frequency-domain centre of mass of a sound spectrum and correlates with perceived brightness

The speed control in Tidal changes sample playback rate and thus pitch; negative values reverse the sample

The sRGB TRC is piecewise: linear near black, then a power curve with exponent 2.4

The Standard Pattern, the most widespread sub-Saharan bell timeline, is E(7,12) started on its third onset and matches the major-scale pitch pattern

The STFT slides a Fourier analysis window along a signal to create a time-frequency spectrogram

The STFT window length trades time resolution against frequency resolution and cannot give both at once

The TB-303's defining acid sound comes from continuously moving cutoff frequency and resonance over a sequence

The techno kick is harder and often longer or more distorted than a house kick

The techno template shares house's four-on-the-floor kick but drives with dense low-velocity 16th hats

The techstep era introduced heavily filtered warped basses and stripped two-step drums as DnB's technical frontier

The term 'juke' was put on the map by DJ Poncho and Gant-Man's 1998 track, since the ghetto-house and house scenes both refused to claim the new sound

The theremin is played by moving hands in an electromagnetic field with no physical contact

The three primary colors correspond to the three fundamental shapes: yellow to triangle, red to square, blue to circle

The three primary straight lines carry distinct inner temperatures: horizontal (cold), vertical (warm), diagonal (balanced)

The three.js scene graph is a hierarchy where child object transforms are always relative to their parent

The TR-808 Accent track sequences volume increases across all voices simultaneously to add swing and feel

The TR-808 introduced full-song percussion programming via a step sequencer — not just preset patterns

The TR-808 kick drum — down-pitched and elongated — became a foundational sound in drum and bass production

The TR-808 stores 12 Basic Rhythm patterns and 4 Fill-In patterns that are chained into a song

The Turing Machine's big knob sets a continuous spectrum from random (noon) through slipping (3/9 o'clock) to locked (5 o'clock)

The turntable is a musical instrument in its own right, treating vinyl as an archive to build new compositions from

The UK's Criminal Justice Act 1994 effectively ended the British free party scene, dispersing its participants across Europe

The upper zone of the basic plane feels light and free; the lower zone feels heavy and constrained

The VCV Library prohibits cloning another product's brand, panel, or component layout without permission

The vertex shader transforms each vertex to clip space; the rasterizer then runs the fragment shader once per covered pixel

The video loop is the fundamental unit of live visual performance, replacing the single-shot timeline of cinema

The Virtual Console is a blank canvas for building a custom lighting desk from buttons, sliders, and pads

The wavetable position knob selects a static timbral color when left fixed, not just an animation start point

The wavetable synthesis signal flow is: index increment → running index → fmod wrap → lookup → amplitude envelope → output