The Oberheim DMX used sampled sounds rather than analog synthesis, giving electro an alternative drum palette to the TR-808

While the TR-808 dominated electro through analog synthesis, the Oberheim DMX used actual sampled drum sounds and had its own harder, sharper character. Herbie Hancock’s ‘Rockit’ (1983) used a DMX supplemented by a Synare (likely triggered by the DMX) rather than an 808. The DMX was ‘the other big hip-hop drum machine,’ favored by Run-D.M.C. and Davy DMX, and Hashim added one to his follow-up ‘We’re Rocking the Planet.’ The DMX and 808 represent two competing drum-machine designs: sample playback (DMX) vs. analog synthesis (808).

Examples

Herbie Hancock ‘Rockit’ (1983): Oberheim DMX + Synare, not a TR-808 — a noticeably different, harder kick. Run-D.M.C.: DMX preferred for its sharper, more ‘realistic’ sound.

Assessment

Explain the fundamental sonic difference between the TR-808 (analog synthesis) and the Oberheim DMX (sample playback). Which characteristic of each made it preferred for different aesthetics in 1982-84?