Atoms

Treating kick and bass as a single monophonic composite line improves low-end clarity compositionally

Treemap boxes can be styled with callback functions that receive value and index, enabling data-driven colour

Trig conditions let each sequencer step fire only when a logical rule is true

Troubleshoot 'no signal' by tracing from source to output; troubleshoot 'unwanted signal' by tracing from output to source

Tuning a sound system means jointly optimising acoustics, dynamics, crossover points and driver selection

Tuning analog drum modules live — pitch, decay, and saturation — is a primary performance gesture in modular techno

Tuning electronic drums (especially kicks and toms) to the key of a song produces a more cohesive mix

Turning a reverb's diffusion fully down converts it into a delay, usable as a dry-free parallel effect

Turning off cooking for invisible TOPs eliminates wasted GPU time in multi-layer VJ rigs

Turning the volume down at the right moment is one of the most powerful crowd-manipulating effects available to a DJ

Two live_loops with slightly different sleep times produce Steve Reich-style phasing

Two Maths channels cross-triggered produce 90-degree phase-shifted LFOs (quadrature mode)

Two MIDI 2.0 devices reach full communication through an ordered discovery sequence ending in normal MIDI use

Two pattern-transforming functions can be composed into one and applied together in TidalCycles

Tying scroll or scale speed to a rising FFT band accelerates the visual motion through a build

U-Net's symmetric downsampling-upsampling structure with skip connections makes it a standard diffusion backbone

U2 performed the same real-time appropriation on their ZooTV tour that they sued Negativland for, exposing appropriation law as power-asymmetric rather than principled

unCLIP generates images by mapping text to a CLIP image embedding, then decoding that embedding to pixels with diffusion

Underground Resistance emerged as a second-wave Detroit techno force defined by militancy, mystery, and sonic warfare

Universe Passthrough forwards external DMX input directly to output, enabling protocol conversion and data merging

Use as few multiband bands as the problem needs, and set crossovers deliberately

Use envelopes for signal-reactive modulation and LFOs for constant movement — in dub, almost nothing stays static

Use parametric EQ on mic groups for feedback control — bypass filters until needed at soundcheck

use_real_time removes Sonic Pi's scheduling look-ahead for MIDI and OSC-driven live loops

Using a non-sinusoidal waveform for the highest partial fills in upper harmonics when oscillator count is limited

Using a sound only once, rather than looping it, makes a track a sequence of one-off surprises

Using simple or acoustic sounds while writing forces ideas strong enough to stand without production

Vary the type of energy (density, brightness, space) not only the loudness level

Varying dryness across vocal layers creates front-to-back mix depth, not just width

Varying the initial spatial distribution of agents changes the global form that emerges from identical local rules

Velocity shading of double-hit kicks and ghost snares shapes breakbeat feel more than note placement alone

Vinyl mastering must account for the cartridge compliance of the intended playback system

Vision and hearing process time and density differently — AV artists must account for these asymmetries to achieve coherence

Visual live-coding work is routinely under-credited relative to audio, and the gap tracks gender

Visually uncompromising music videos can define how a genre's audience understands and remembers its music

Vivid Light combines Color Dodge and Color Burn around middle grey, increasing perceived contrast

VJ skills transfer beyond nightclubs into installation art and immersive architectural performance

Voice synthesis models the vocal tract as a series of formant resonances shaped by the source-filter model

Volume automation directs listener attention and polishes balance problems that static processing cannot solve

VOsc morphs between two or more wavetables in adjacent buffers using a floating-point buffer index

VOSIM synthesizes vowel formants using decaying squared-sine pulse trains

VPT emits OSC loopreport and cliptime events so external tools can sync to video progress

VPT exchanges sensor and actuator data with Arduino over serial using an id-plus-value format

VPT exposes its full parameter set as typed OSC commands across sources, layers, presets and control

VPT's built-in LFOs automate any routed parameter with sine, ramp, triangle or square waves

VPT's cuelist is a text script of one-letter commands that sequences presets and parameters

VPT's mix module composites two sources with a blend mode before the result feeds a layer

VPT's router maps a numbered controller to any parameter via rows keyed by controller number

VPT's SoundTrigger app maps left/right audio channels to VPT controllers for audio-reactive visuals

VPT's Video Trigger detects motion in camera zones by background subtraction to fire events

Warning a crowd in advance is a tool for surviving the expectation gap when you change genre

Waveguide synthesis models acoustic resonators as digital delay lines with filters, efficiently simulating instrument resonances

Wavelet analysis uses variable-length windows for better time resolution at high frequencies

Wavesets segment a signal at zero crossings and enable a catalog of micro-distortions

Waveshaping synthesis passes a signal through a nonlinear shaping function, and input amplitude controls spectral brightness

Wavetable lengths are rounded up to a power of two for FFT and binary-index efficiency

WebGPU compute threads are grouped into workgroups and addressed by a global invocation id

Weightless strips grime's aggressiveness to create an atmospheric minimal subgenre that contrasts mainline grime's dense energy

Welsh's Synthesizer Cookbook teaches a 102-patch recipe method for systematic voice design on analog synthesizers

Werp, Stretch, and Repitch machines each use distinct algorithms to tempo-sync samples