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Atoms

5,034 knowledge atoms — one concept each, the smallest teachable units. To find something specific, use search or browse by domain, level or type.

Showing 361–420 of 5,034 · page 7 / 84

Always disconnect a Eurorack case from mains power before opening it or moving any module
Procedure L1 Foundations E
Amapiano is a South African deep-house/jazz hybrid defined by its log-drum bassline
Concept L1 Foundations OA
Ambient house adds ambient atmospheres to acid house's four-on-the-floor structure
Concept L1 Foundations OA
Ambient music connects a lineage from Satie's furniture music through Cage's chance operations to Minimalism
Concept L1 Foundations O
Ambient pop imports ambient textures into indie song structures with live instruments
Concept L1 Foundations O
Ambient techno fuses techno's rhythmic and melodic elements with ambient atmospheres
Fact L1 Foundations O
An ADSR envelope shapes a parameter over four gate-driven stages: attack, decay, sustain, release
Concept L1 Foundations BEA
An ADSR envelope shapes amplitude or timbre over four stages: Attack, Decay, Sustain, Release
Concept L1 Foundations EB
An AM radio tuned to a dead band becomes an electromagnetic field detector for motors, computers, and household appliances
Concept L1 Foundations E
An analog signal is literally an electrical analogy of the physical quantity it represents
Fact L1 Foundations B
An Ardour session is a folder containing all project data: audio, MIDI, routing, and snapshots
Concept L1 Foundations N
An attenuator is a VCA without voltage control — a fixed-gain module used to scale CV and audio signals
Concept L1 Foundations E
An attenuverter scales a signal from full positive through zero to full inverted with one knob
Concept L1 Foundations EB
An electronic instrument's interface can be analysed as a layered model from sound through control and layout to concept and time
Concept L1 Foundations EN
An envelope generator outputs a time-varying control signal that shapes another module's parameter over each note
Concept L1 Foundations BE
An exponential fade-out curve is often smoother and more realistic than a linear fade
Concept L1 Foundations D
An interval is a musical distance measured in semitones, and it repeats every octave (12 semitones)
Concept L1 Foundations A
An isochronous rhythm places its onsets at perfectly regular intervals — the trivial case where k divides n
Concept L1 Foundations AF
An LFO is a sub-audio oscillator used as a control source to cyclically modulate another module's parameter
Concept L1 Foundations EB
An open hi-hat on every off beat anchors the eighth-note pulse in Detroit techno
Concept L1 Foundations A
An open-hardware module publishes its design files under CC-BY-SA so builders can make, modify, and share it
Concept L1 Foundations EP
An OSC message has two parts: an address pattern (the parameter name) and one or more typed arguments (the values)
Concept L1 Foundations JN
Analog/digital and continuous/discrete are two independent axes — not two names for the same thing
Misconception L1 Foundations B
Angle brackets in mini-notation advance one element per cycle, not per step
Concept L1 Foundations FA
Angle brackets in mini-notation pick one value per cycle, rotating through the list
Concept L1 Foundations F
Any complex waveform can be built by summing sine waves — this is the basis of additive synthesis
Principle L1 Foundations B
Any live cinema performance can be analysed through five tool-independent essential elements
Concept L1 Foundations IJ
Art-Net transports DMX512 and RDM lighting data over an Ethernet network
Concept L1 Foundations I
Artists labelled IDM widely rejected the term as elitist and PR-driven
Concept L1 Foundations O
Artists may maintain separate aliases for stylistically distinct projects within related genres
Concept L1 Foundations OM
As an LFO crosses into the audio range it stops being perceptible parameter movement and starts creating sidebands
Concept L1 Foundations BE
Asterisk in mini-notation speeds up a step, fitting n repetitions into its allotted time slot
Concept L1 Foundations F
At high SPL, sub-bass is experienced as full-body resonance, felt before it is heard
Concept L1 Foundations DB
Audacity Macros chain effects into a reusable sequence for batch-processing multiple audio files
Concept L1 Foundations N
Audacity's Spectrogram view shows frequency content over time, enabling spectral selection and editing
Concept L1 Foundations ND
Audio connections longer than 8 inches require shielded cable to prevent electromagnetic hum pickup
Fact L1 Foundations EB
Audio-only pirate radio made vocal distinctiveness, not image, the currency of an MC's reputation
Concept L1 Foundations MO
Audio-reactive synthesis generates visuals from sound data rather than triggering pre-recorded clips
Concept L1 Foundations IJ
Balearic trance emerged at Ibiza's Café del Mar blending Mediterranean instruments, ambient pads, and sunset aesthetics
Concept L1 Foundations O
Baltimore club emerged in the late 1980s by fusing house, UK rave, Miami bass and hip-house
Fact L1 Foundations OA
Baltimore club's tempo rose from 125-128 BPM to 130+ and keeps accelerating
Fact L1 Foundations AO
Banana jack colors on the Buchla 200e encode signal direction and type at a glance
Fact L1 Foundations E
bank() repoints a pattern's drum abbreviations at a named drum-machine sample set
Procedure L1 Foundations F
Battery-only operation is the primary safety rule for hardware-hacking live circuits
Principle L1 Foundations E
Because genre lines blurred, authentic progressive house often 'masquerades' as techno, tech house, or deep house
Concept L1 Foundations O
Beginners should choose a Eurorack case with built-in power to avoid the complexity of separate PSU installation
Principle L1 Foundations E
Belgium's Bonzai Records defined a harder, driving trance aesthetic parallel to Germany's melodic approach
Fact L1 Foundations O
Berghain in Berlin has been described as 'possibly the current world capital of techno'
Fact L1 Foundations OP
Big Apple Records in Croydon was the physical hub where dubstep's founding producers learned from each other before any clubs existed
Fact L1 Foundations O
Big beat crossed from clubs to mainstream via The Prodigy and Fatboy Slim's chart success in 1995–1999
Fact L1 Foundations O
Big beat declined from 2001 as its leading acts shifted to house/techno/trance characteristics and the novelty faded
Fact L1 Foundations O
Big beat emerged from early 1990s London dance music hybridisation when labels released breakbeat music alongside house
Concept L1 Foundations O
Big beat inherited its breakbeat and sampling approach from British turntablism pioneers like Coldcut
Fact L1 Foundations OC
Big beat layers heavy distorted breakbeats over four-on-the-floor kicks and acid lines at mid-tempo for mainstream crossover
Concept L1 Foundations OC
Big beat spread into mainstream culture through film and video-game soundtracks, not only record sales
Fact L1 Foundations O
Boom bap places a hard acoustic kick on downbeats and a snappy snare on upbeats with an in-your-face mix
Concept L1 Foundations A
Breakbeat hardcore diverged into jungle and drum and bass by accelerating tempo and chopping the break
Concept L1 Foundations CO
Breakcore chops breakbeats at extreme tempos over irregular meters, aggression tempered by emotional depth
Concept L1 Foundations CO
Breakcore has no melodic identity — its rhythmic density is the defining feature, not harmony or melody
Concept L1 Foundations OA
Breakcore is a high-tempo electronic genre defined by hyper-complex breakbeat manipulation and wide-spectrum sampling
Concept L1 Foundations OC