Swing delays every other 16th note by a set proportion, with 50% meaning straight timing
Swing is a systematic, perfectly repeating timing offset: every second (even-numbered) subdivision — the ‘e’ and ‘ah’ 16th positions — is delayed, while the main downbeats stay quantized to the grid. The amount is expressed as a percentage giving the proportion of each two-note window the first note occupies. In the Roger Linn / Logic convention, 50% is straight (both 16ths equal); higher values push the off-beat later, so it moves toward the next beat; 66% is perfect triplet swing (first note gets 2/3, second gets 1/3). The most expressive ‘groove’ territory lies roughly between 50% and 70% — e.g. 54% loosens straight 16ths without sounding overtly swung, 58% adds a heavier shuffle. The effect is groove without imprecision, and it converts a mechanical grid into a loping long-short feel. A common misconception is that higher swing always feels groovier: the optimal ratio is tempo- and pattern-dependent (62% at 90 BPM can groove better than 66%). Swing is distinct from jazz swing as a feel; ‘shuffle’ is an older name for the same function.
Examples
Logic 16A-16F ≈ 50%, 54%, 58%, 62%, 66%, 71%. On a 4/4 house pattern: 50% = robotic/straight, 54-58% = pocket/light bounce, 66% = triplet shuffle, ~71% = heavy triplet feel. Practically: duplicate a pattern four times, apply 50/53/56/60% swing, and A/B against a reference to find the feel. In milliseconds, off-beats are delayed roughly 5-20ms.
Assessment
At what swing percentage is a pattern perfectly straight, and what does 66% correspond to rhythmically? Explain how the off-beat 16ths are affected at 58%, why 62% might groove better than 66% at 90 BPM, and name one genre where swing is deliberately avoided and why.