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Honour the rough mix as intent but bring your own craft rather than copying it

A rough mix conveys the artist/producer’s intent, but the mix engineer is expected to add something new. Don’t stray miles from a rough that is not shockingly bad, yet avoid over-referencing it — listen once, then work independently, because repeatedly comparing to someone else’s mix (“if you hear it enough it starts to sound right”) yields nobody’s mix. The rough’s creators may also have lost objectivity, so a fresh reassessment can be what the track needs.

Examples

A rough has an upfront vocal and prominent guitar; before finalising you check the rough once to confirm the guitar is intentional to the song’s identity rather than reproducing the rough beat for beat.

Assessment

Describe the rough mix’s role and the tension between honouring it and improving on it.

“you don’t want to go miles away from it,” says Tom Elmhirst. “On the o”
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