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An analog VCO core makes one native waveform; internal waveshapers derive the others from it

An analog voltage-controlled oscillator is usually built around a single ‘core’ circuit that natively produces one specific waveform (commonly a triangle or a sawtooth). The oscillator’s other waveform outputs are not generated independently: internal ‘waveshapers’ bend or re-arrange that one core waveform into the others, for example turning a saw into a square or a triangle into a sine. Most oscillators hide this step, calibrating the derived shapes at the factory, but some expose front-panel controls or voltage control so you can crossfade or morph between shapes yourself and add harmonic motion. Understanding this explains why the core choice colours every waveform an oscillator produces, and why different modules that nominally output the ‘same’ square or sine can sound subtly different.

Examples

Catalyst Audio Model 158 (based on the Buchla 158) lets you crossfade from its sawtooth core to a sine derived from that core. Modules like the TipTop Z3000, Make Noise STO, and Erica Synths Fusion VCO expose waveshape controls.

Assessment

Explain the difference between a VCO core and a waveshaper. Given a sawtooth-core oscillator, say how its square and sine outputs are produced and why its sine may be less clean than a triangle-core VCO’s.

“Analog VCOs are often based around a ‘core’ that creates one specific wave - form such as the triangle or saw. The other waveforms are created by using internal ‘waveshapers’ that bend or otherwise re-arrange one waveshape into another.”
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