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The two-step is a simple kick-snare rhythm that no longer sounds like a breakbeat

The neurofunk-era two-step strips drum ‘n’ bass to a plain kick-snare pattern, abandoning the hyper-syncopated, mashed-up break rhythms of earlier Jungle. It does not flutter the snares or hi-hats — it is a straight, easy rhythm meant to get people dancing without demanding the ‘posthuman’ physical contortions classic Jungle invited. Because the beats stop sounding like looped breakbeats and start sounding like a drum machine, it marks drum ‘n’ bass pulling back toward Techno-like rhythmic simplicity while everything else (basslines, production) grows more complex.

Examples

Phil Aslet of Source Direct: ‘There are no real flutters in the snares or the hi-hats. It’s a straight-up, easy rhythm to get people on the dancefloor.’ Contrast: Jungle breaks that made dancers ‘strive for a hybrid of bodypoppin’ breaker, contortionist and Tex Avery cartoon character’.

Assessment

Describe how a two-step differs from earlier Jungle breakbeat patterns and what bodily response each invites in dancers.

“the two-step is a simple kick-snare rhythm that doesn't even sound like a breakbeat anymore. _The Wire's_ Chris Sharp compares it to Tamla Motown or the skinhead moonstomp”
corpus · neurofunk-drum-n-bass-versus-speed-garage-1997-simon-reynold · chunk 1