Riddim is a minimalist dubstep subgenre defined by repetitive sub-bass lines and triplet percussion

Riddim emerged in the early 2010s in the UK, with the name coined by British producer Jakes around 2012, from the Jamaican Patois term for the instrumental of dub, reggae, and dancehall. It is characterised by highly repetitive and minimalist sub-bass lines and triplet percussion arrangements — a return to simplicity compared to brostep. The sound is described as ‘wonky.’ It gained significant popularity around 2015. Advocates describe it as the ‘dirtier, swaggier’ side of dubstep; critics call it ‘repetitive and chaotic.’ Its relationship to dubstep is debated — some see it as a genre, others as a style within dubstep.

Examples

Artists: Subfiltronik, Bukez Finezt, Badklaat, Dubloadz. Notable tracks: ‘Yasuo’ by Bommer and Crowell, ‘Orgalorg’ by Infekt, ‘Jotaro’ by Phiso. Production: ultra-simple, two-note sub patterns, stuttered triplet snares.

Assessment

Compare riddim’s musical characteristics (register, bass complexity, rhythmic density) to classic dubstep and brostep. Describe the cultural debate around whether riddim is a genre or a style within dubstep.