Physical modeling synthesis approximates acoustic instrument physics using mathematical models of wave propagation
Physical modeling synthesis (PMS) aims to model the physical processes that give rise to sound in real acoustic instruments using simple mathematical approximations. The approach works best for instruments whose sound-generation can be described as excitation of a transmission line or waveguide — primarily stringed instruments and woodwinds. The governing equations (wave equations) are relatively simple and computationally tractable. PMS is fundamentally different from subtractive or FM synthesis: rather than shaping a generic waveform, it simulates the physical resonance of the instrument’s body. Key parameters are the relative amounts of wave energy transmitted, reflected, lost (as heat), and stored at each waveguide section, plus frequency-dependent propagation delay. A common misconception is that PMS requires a complete, accurate physical simulation — in practice, simplified lumped models produce convincing results.
Examples
Karplus-Strong is the simplest physical model: a single delay line with a lowpass filter in feedback produces convincing plucked strings. More complete waveguide models add multiple sections.
Assessment
Explain why physical modeling works better for strings and woodwinds than for percussion. Identify two parameters in a waveguide model that determine pitch and two that determine timbre/decay.