MATHS is an analog computer whose musical functions emerge from which mathematical operation you apply

Make Noise MATHS is described by its designer as ‘an analog computer designed for musical purposes.’ Its capability list — generate linear/log/exponential triggered or continuous functions, integrate a signal, amplify/attenuate/invert, add/subtract/OR up to four signals, generate analog from digital (gate/clock) and digital from analog, and delay gates — maps directly onto synthesis roles: envelopes and LFOs, slew/portamento, CV depth and inversion, complex modulation mixing, tempo ramps, motion-sensed triggers, and clock division/flam. Understanding MATHS as a general-purpose analog signal computer, rather than a fixed module type, explains why one module serves so many roles: the ‘synthesizer function’ emerges from which math you route through it.

Examples

Channel 1 with Cycle ON = LFO. The same channel triggered by a gate = attack-decay envelope. The same channel with a signal patched to its Signal Input = slew limiter/portamento.

Assessment

Name three different synthesis roles MATHS can fulfil from its capability list, and identify which input/output configuration enables each.