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Keyboard follow routes note pitch to the filter so higher notes open the filter more

Keyboard follow (also called keyboard tracking) is a modulation routing that scales a parameter — most commonly filter cutoff — by the pitch of the note played. With filter keyboard-follow engaged, higher notes push the cutoff higher, so the upper range of a patch stays proportionally bright instead of sounding progressively duller as pitch rises. This keeps a chord voice’s timbre consistent across its playing range and prevents high voicings from being swallowed by a fixed filter setting. The amount is adjustable: full tracking makes brightness scale one-to-one with pitch, partial tracking (e.g. a mid setting) applies a gentler correction. It is a general subtractive-synthesis primitive, independent of genre.

Examples

In Diva, engage the Kybd (keyboard follow) slider at ~65 so the notes played affect the filter. Play a low chord then a high chord: with tracking on, the high chord stays proportionally bright; with tracking at 0, the high chord sounds duller relative to the low one because the cutoff is fixed.

Assessment

Explain what audibly changes across a synth’s pitch range when filter keyboard-follow is raised from 0 to full. Why does a patch designed at one octave often sound wrong two octaves up without keyboard tracking?

“engage the Kybd slider (also known as keyboard follow) to have the notes played affect the filter. A setting of 65 sounds good”
corpus · l3-dub-techno-synth-chords-the-hollow-mid-scooped-chord-reci · chunk 1