home/ atoms/ fm-carrier-modulator-ratio-timbre-preservation

Keeping the carrier-to-modulator frequency ratio constant preserves FM timbre across pitches

The structure of FM sidebands depends on the ratio c:m = fC/fM. If this ratio stays constant while both frequencies scale by the same factor, the relative sideband positions are preserved — the timbre remains consistent. For MIDI-playable FM instruments, both carrier and modulator frequencies must scale together with each note. A common error is fixing the modulator frequency while scaling the carrier, which shifts sideband positions and changes timbre across the keyboard.

Examples

c:m = 1:2, fC = 200 Hz, fM = 400 Hz. Raise pitch an octave: fC = 400 Hz, fM = 800 Hz. Ratio stays 1:2, timbre is preserved. Fix fM at 400 Hz while fC doubles: ratio changes, timbre changes.

Assessment

A patch has fC = 300 Hz, fM = 100 Hz. What modulator frequency should you set when the carrier rises to 450 Hz to preserve timbre?

“if the ratio of the carrier frequency to the modulation frequency is constant, the partials’ structure is preserved”
corpus · fm-synthesis-explained-for-audio-programmers-wolfsound · chunk 3