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FM brass timbres use c/m = 1/1 with index tracking amplitude, capturing the loudness-to-brightness coupling of brass instruments

Risset’s analysis of trumpet tones identified that brass instruments distribute energy over a wider spectral band as they grow louder — a loudness-to-brightness coupling. Chowning simulates this by coupling the FM modulation index envelope to the amplitude envelope: when amplitude is highest, index is highest (most sidebands, widest bandwidth); when amplitude decays, index decays in tandem (simpler spectrum). The carrier-to-modulator ratio c/m = 1/1 ensures all harmonics are present (odd and even), matching the full harmonic series of brass. The parameter set is minimal: carrier frequency equals modulating frequency, I sweeps from 0 to about 5 over the note duration. A rapid attack with slight overshoot is also characteristic.

Examples

Chowning’s brass patch: P5=P6=440Hz (c/m=1/1), I1=0, I2=5, envelope function rises fast and decays. The result is a recognizable trumpet-like timbre from just two oscillators and an envelope generator.

Assessment

Modify the FM brass patch to produce a softer horn-like timbre by reducing I2. What perceptual change do you expect and why?

“the amount of energy in the spectrum is distributed over an increasing band in approximate proportion to the increase of intensity.”
corpus · the-synthesis-of-complex-audio-spectra-by-means-of-frequency · chunk 5