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Dub shaped dubstep through three channels: the instrumental format, a sound-manipulation methodology, and the dub genre's aesthetics

Kode9 identifies three separate paths through which dub shaped dubstep. First, the practice of releasing instrumental versions of vocal tracks — El-B pushed dubstep toward this, just as dub was the instrumental of reggae. Second, dub as a methodology: manipulating sound to ‘create impossible sonic spaces using reverb, echo’ — foundational to all dance music. Third, the genre called dub itself, including sampling old Jamaican films and vocals. Kode9 lists soundsystem culture as a separate, elemental influence alongside these three dub channels. Distinguishing these paths prevents conflating ‘sounds like dub’ with ‘uses dub techniques.‘

Examples

El-B’s garage instrumentals pushed the ‘moody darkness’ from Metalheadz into garage — this is dub-as-format. The reverb/echo treatment on dubstep tracks is dub-as-methodology.

Assessment

Name and distinguish Kode9’s three dub influences on dubstep and give one musical example of each type from the early scene.

“Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks”
corpus · the-vice-oral-history-of-dubstep · chunk 3