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CC BY-SA is the 'copyleft' music license: derivatives must be released under the same terms, creating a self-perpetuating commons

CC BY-SA (Attribution-ShareAlike) allows any use including commercial, as long as the creator is credited and any derivative work (remix, film score, compilation) is released under the same CC BY-SA license. The ShareAlike condition is a form of ‘copyleft’ — it ensures that anyone who builds on your work passes on the same freedoms they received. This is how the Wikipedia content model works. For music, it means a remixer must release their remix under CC BY-SA, but cannot use BY-SA music in a CC BY or All Rights Reserved release. If you want your music to stay in the ‘free’ commons even as others build on it, BY-SA is the appropriate choice.

Examples

A producer releases a beat under CC BY-SA. A rapper uses it, adds vocals, releases the track → the rapper’s track must also be CC BY-SA. The rapper cannot release it as ‘all rights reserved’ or ‘CC BY-NC’.

Assessment

Explain in your own words why CC BY-SA is called ‘copyleft.’ Give one scenario where a musician would prefer BY-SA over BY, and one where they would prefer BY over BY-SA.

“This licence enables users to remix, tweak, and build upon an original work, even for commercial purposes, as long as the creator is credited and licences their new creations under identical terms.”
corpus · license-guide-free-music-archive-creative-commons-for-musici · chunk 2