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Broken beat (bruk) is an electronic dance genre defined by syncopated, choppy rhythms that avoid four-on-the-floor

Broken beat, also called ‘bruk,’ emerged in late-1990s London as an electronic dance music genre distinguished by syncopated beats and frenetic, choppy rhythms that deliberately avoid the rigid four-on-the-floor kick pattern of house and techno. It draws on house, drum and bass, hip hop, techno, acid jazz, and R&B, and often features female vocals and 1970s jazz-funk influences. The eclectic style makes use of samplers, analogue synths, and live instrumentation. All Music described it as ‘about as fusion-soaked as it gets.’ The genre’s key rhythmic identity is rhythmic disruption: patterns that continually shift placement rather than settling into a steady pulse.

Examples

A broken beat track might have a kick on beat 1 and the ‘and’ of beat 2, a snare on beat 3, and syncopated hi-hats — never landing on all four beats. This contrasts sharply with house’s four-on-the-floor pattern.

Assessment

Name three sonic or rhythmic characteristics that define broken beat. Explain what is meant by ‘avoiding four-on-the-floor’ and why this is a genre-defining choice.

“The eclectic style generally avoided rigid [four-on-the-floor](https://en.wikipedia.org/wiki/Four-on-the-floor "Four-on-the-floor") rhythms and could make use of samplers, analogue synths, and live instrumentation.”
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