Atoms

The Elektron Octatrack functions as a central sequencer and sampler hub in a hardware live set

The Krell patch uses a sample-and-held random pitch plus a self-triggering envelope to play itself

The physical presence of the author in the performance space redefines the audience's experience of audiovisual work as live

The reparameterization trick lets you sample a noisy x_t at any timestep t directly without simulating the full chain

The Serge SSG generates triangle and square LFOs by patching its output back to its own input (CYCLE mode)

The spectrum-scale relationship occupies a middle ground between intonational naturalism and intonational relativism

The SSG generates correlated random smooth and stepped voltages simultaneously by feedback-patching noise through the COUPLER

The TOPLAP manifesto prioritizes algorithm transparency over tool materiality as a performance ethic

The unsolved problem of granular composition is coherent structure at meso and macro scales, not just generating clouds

Tidal embeds in Haskell to exploit its type system and applicative functor abstractions for pattern composition

TidalCycles fix and contrast apply transforms only to events matching a ControlPattern test, leaving others unchanged

TidalCycles inhabit maps string names to patterns, allowing a pattern of strings to select and play named sub-patterns

TidalCycles lindenmayer generates L-system strings that can be converted to playable patterns via step functions

TidalCycles patterning stacks four levels: sequence, symmetry, deviation, and composition/interference

TidalCycles select and pickF use a numeric pattern to switch between whole sub-patterns or transforming functions

TidalCycles sew switches between two patterns using a boolean pattern for structure; stitch uses the boolean's own structure rather than the source patterns'

TidalCycles snowball applies a transform iteratively to accumulate layers, like a feedback-processed delay

TidalCycles soak applies a transform repeatedly and concatenates all versions, creating an accelerating or evolving sequence

TidalCycles' weave produces an unplanned canon when sound and effect patterns are swapped, illustrating discovery through generalization

Time is warped either on the query span (before) or on the hap spans (after) a pattern is queried

TOPLAP prefers live coding without safety nets — no backup tracks, no pre-rendered fallback — because risk is part of the performance value

TouchDesigner can act as a media-server control system across a LAN, with a master sending cues to multiple client machines that each handle their own media playback

TouchDesigner can serve as a real-time rendering and previz layer in a Houdini production pipeline, handling high-resolution output with shorter turnaround than offline rendering

Transition functions like xfadeIn and anticipate swap patterns gradually instead of instantly

True peak measures the reconstructed waveform between samples; capping at -1 dBTP leaves headroom for inter-sample peaks and lossy encoding

Twentieth-century music shifted its focus from the symbol to the signal

Useful creative feedback requires the right person, right time, and right question

VJing occupies an unresolved position between artistic practice and entertainment service, shaped by economic and institutional context

Vocable synthesis maps written phonetic symbols to physical model parameters so short words describe complex instrumental articulations

Waveset manipulation treats individual waveform cycles as grains for extreme time-stretching and morphing in SuperCollider

When two Tidal patterns are combined applicatively, the left pattern's structure is preserved and its events are matched with co-occurring right-hand events

When venue sound fails, a DJ must flag technical staff immediately and use any available signal to hold the room

With a common clock, green diversity and an external CV, Marbles X becomes a 3-stage shift register

Withholding music from digital distribution and playing it only on a sound system builds a scene around physical presence

Without direct label relationships and paper trails, underground producers are exposed to credit theft

Woodwind pitch is changed by tone holes that selectively reflect low frequencies and transmit high frequencies

Woodwind synthesis requires a nonlinear reed model to provide gain and generate harmonics

You cannot be a critical DJ and a productive studio musician simultaneously

A bounded self-analysing drone with non-zero-base colour and a short crossfade is the safe Punctual recovery program

A ChucK ADSR envelope or STK instrument stays silent until its gate is opened with keyOn/noteOn

A ChucK voice that never reaches dac produces silence with no error

A ChucK while-loop without a time-advance silently hangs the VM at 100% CPU with no audio

A failed P5LIVE compile leaves the last good frame visible rather than blanking the canvas

A failed Strudel evaluate leaves the previously running pattern playing rather than stopping audio

A Glicol file with no out: line produces silence with no error message

A Glicol node name not in the reference is a parse error that leaves the graph unswapped

A GLSL shader that compiles but outputs values outside 0..1 or produces NaN renders black or blown-out

A guiding principle must be specific enough to divide the world into right and wrong actions, not merely directional

A Hydra chain rendered to o1..o3 stays invisible unless that buffer is selected with render()

A large mul or an unattenuated feedback bus in Glicol clips loudly with no error

A long unrecognized development period is normal — RP Boo made footwork for ~21 years before sustained touring

A minimal ChucK panic patch uses SinOsc-to-dac with a timed while-loop and no sample files

A minimal cleared-and-isolated setup()/draw() skeleton is the safe P5LIVE recovery sketch because it avoids every common failure at once

A minimal groove using only bundled synths and samples with a sleep in every loop is the safe Sonic Pi recovery

A P5LIVE edit that won't take effect is usually a recompile-scope issue — class-method or global-state edits do not hot-swap live instances

A Punctual parse or compile error leaves the previous working program running rather than tearing it down

A Sonic Pi live_loop automatically cues its own name each cycle, making sync :loop_name safe without explicit cue calls

A Sonic Pi sync on a non-existent cue tag blocks the loop forever without throwing any error

A Sonic Pi syntax error aborts the run but all currently running live_loops keep playing

A SuperCollider \degree pattern with no \scale defaults to C major and plays wrong pitches without error